Bashar Georgis

As the Founder of Inovasi Films, one of Bangladesh's leading production houses, I play a multifaceted role in leading and overseeing the creative and operational aspects of the company. My responsibilities encompass a diverse range of roles, where I serve as the Lead Director, Producer, Writer, Editor, and Colorist. In this capacity, I am at the forefront of creating impactful content, spanning TV commercials, PSAs, Web series, short films, TV dramas, and documentaries, catering to a wide clientele including corporate entities, government agencies, Foreign embassies, and reputed international organizations like the JHCCP, British Council and USAID, World bank, WHO etc. Through my leadership and creative prowess, I have successfully positioned Inovasi Films as a go-to production house in Bangladesh, delivering exceptional content that leaves a lasting impact on audiences and aligns with the objectives of our diverse clientele.

Key Responsibilities:

1. Creative Direction and Ideation:

• Develop and lead the creative direction for all projects, ensuring each piece of content effectively conveys the client's messaging and objectives.
• Ideate and conceptualize innovative ideas for storytelling, visuals, and aesthetics, crafting unique narratives that resonate with the target audience.
• Collaborate with clients, government agencies, and international organizations to understand their vision and requirements, translating them into compelling visual narratives.

2. Project Management:

• Oversee all stages of production, from pre-production planning to post-production, ensuring seamless execution and timely delivery of projects.
• Coordinate with production teams, cast, and crew members to streamline workflow and ensure a smooth production process.
• Manage budgets, resources, and timelines, optimizing efficiency without compromising on production quality.

3. Content Production and Direction:

• Direct and guide actors, ensuring authentic performances that bring characters to life and evoke emotions in the audience.
• Supervise the entire production process, including shooting, lighting, and sound, to maintain a consistent artistic vision.
• Produce and direct TV commercials, PSAs, Web series, short films, TV dramas, and documentaries with a focus on engaging storytelling and impactful messaging.

4. Scriptwriting and Story Development:

• Craft compelling scripts that convey powerful messages while adhering to the project's objectives and brand identity.
• Develop storylines and plot twists that captivate audiences and leave a lasting impact.
• Collaborate with writers and creative teams to refine scripts and narratives, ensuring a cohesive and powerful narrative flow.

5. Editing and Color Grading:

• Utilize advanced video editing and color grading techniques to enhance the visual appeal and emotional impact of the content.
• Bring footage to life through seamless editing, crafting a coherent and immersive storytelling experience.
• Ensure the highest production standards are met, maintaining the brand's visual identity and artistic style.

6. Client Relationship Management:

• Cultivate strong and lasting relationships with clients, understanding their needs and providing tailored solutions.
• Act as a primary point of contact, managing client expectations and ensuring their satisfaction with the final deliverables.
• Respond promptly to client feedback and incorporate their input to enhance the quality and relevance of the content.

7. Industry Networking and Collaboration:

• Establish strategic partnerships and collaborations with industry professionals, fostering a network of talented individuals for potential projects.
• Attend industry events, film festivals, and networking opportunities to stay abreast of industry trends and innovations.

Provide audio visual consultancy service for the project "Lux Channel i Super Star 2018" for Unilever Bangladesh. "Lux Channel i Superstar" is a Bangladeshi television reality show that airs on Channel i. Aspiring actresses, singers, and models compete on the show for a chance to launch their careers.

Key Responsibilities:

• Conduct pre-production meetings with all parties.
• Implement production as per network.
• Finalize shooting scripts.
• Finalize content plan as per exception of brands team

Sisimpur is the Bangladeshi co-production of the American children's television series Sesame Street. The show premiered in April 2005 on Bangladesh Television. The series is co-produced by Bangladesh-based Nayantara Communications and Sesame Workshop Bangladesh. USAID committed US$7 million in funding for the show over its first three years. As a Production Budget Consultant for Sesame Street, I played a crucial role in ensuring the efficient and effective allocation of financial resources for 156 half hour episodes and 3 PASs production. My expertise in budget management and financial analysis provided support the production team's efforts to create high-quality educational content for children and families around the world.

Key Responsibilities:

1. Budget Development:

• Collaborate with the production team to create detailed budgets for assigned productions, considering all relevant costs, including pre-production, production, and post-production expenses.
• Analyze project requirements and scope to estimate resource needs and associated costs accurately.
• Identify potential cost-saving measures and propose alternative approaches while maintaining the quality and vision of the productions.

2. Budget Monitoring and Control:

• Monitor project budgets throughout the production process, ensuring adherence to approved financial plans.
• Regularly review expenses and financial reports, identifying any deviations from the budget and addressing discrepancies promptly.
• Advise and guide the production team on financial decisions to keep projects on track within the allocated budget.

3. Financial Analysis:

• Conduct comprehensive financial analysis for ongoing and future projects, providing insights into budget utilization, cost trends, and projections.
• Analyze production expenses against benchmarks and industry standards to ensure cost-effectiveness and budget optimization.
• Develop financial models and scenarios to assess the financial impact of different production choices.

4. Vendor and Contractor Management:

• Collaborate with procurement and production teams to negotiate contracts and agreements with vendors and contractors, ensuring cost-effectiveness and value for money.
• Review vendor quotes and proposals, assessing their alignment with project requirements and budget constraints.
• Oversee payments to vendors, verifying that services and deliverables align with contractual terms and budget allocations.

5. Budget Reporting and Presentations:

• Prepare regular budget reports, financial updates, and forecasts for stakeholders, including producers, executives, and finance departments.
• Present financial information in a clear and concise manner, providing insights and recommendations to inform decision-making.
• Communicate budget status, variances, and financial risks to the production team and management.

6. Continuous Improvement:

• Identify opportunities for process improvement within the production budgeting and financial management processes.
• Collaborate with cross-functional teams to streamline budgeting procedures and enhance overall financial efficiency.

BBC Media Action Bangladesh stands tall as one of the most celebrated organizations in the realm of international development, with a compelling legacy dating back to its founding in 1999 as the altruistic extension of the BBC. Georgis Achieved a milestone in his career with the critically acclaimed TV series "Ujan Ganger Naiya" (Sailing Against the Tide), captivating a massive audience of 35 million people. The success of this series solidified his position as a prominent director in the industry. As part of the BBC Agomoni project, four PSAs were carefully crafted to engage audiences and increase their exposure to key health themes.

Key Responsibilities:

• Led pre-production, filming, and post-production for sixteen episodes, closely adhering to the editorial brief provided by the executive producer.

• Directed and briefed all heads of departments during the pre-production phase, ensuring effective preparation for the shoot.

• Demonstrated creative and efficient leadership on location, guiding crews and actors to achieve the desired artistic outcomes.

• Creatively supervised the editing of episodes and provided clear instructions to the editor and sound post-production staff on all aspects of post-production.

• Presented the executive producer with a director's cut and a sound mix of all episodes in a timely manner according to the post-production schedule.

• Supervised the re-editing and re-sound mixed version of all episodes based on notes and amendments requested by the executive producer.

• Led the cast and crew on a creative level to achieve BBC creative quality and standards, providing clear briefings, monitoring performance, giving constructive feedback, and leading by example.

• Planned, created, and directed episodes strictly in line with schedules and budget considerations outlined by the executive producer.

• Generated innovative ideas and interpreted scripts in close collaboration with the executive producer to ensure the desired vision for each episode.

• Maintained effective communication with contributors, the production team, and the series producer, production manager, and/or executive producer, keeping all stakeholders fully informed of developments and requirements at every stage of production.

• Prioritized the health and safety of the crew and contributors on location, adhering to BBC standards and ensuring a safe working environment at all times.

Job Overview:

As a video editor and colorist, and his exceptional skills and creativity quickly established him as an indispensable senior member of the team. During this period, he made innovative contributions to various projects, leaving a lasting impact on the organization's media development initiatives. The inception of "Bishaash" ( A Pioneering Supernatural Detective Drama) was woven into the fabric of the renowned "BBC Janala Project," forming an integral part of its multi-award-winning endeavour. Beyond its entertainment value, "Bishaash" played a pivotal role in the Mott MacDonald's £50 million nine-year program, targeting the education of some of the poorest people in Bangladesh. Airing weekly on Bangladesh Television and Bangladesh Television World, the series reached an audience of over 20 million people. As part of the English in Action (EIA) education program, "Bishaash" became a beacon of knowledge, revolutionizing the way English was learned in the country. In the realm of political discourse, he made his mark by making substantial contributions to the highly regarded program, "BBC Bangladesh Sanglap (BBC Dialogue)." Like an orchestrator of meaningful conversations, he played a pivotal role in curating discussions that captivated audiences, leading to substantial viewing figures of 37 million and garnering widespread global acclaim.

Key Responsibilities:

• Served as one of the key Heads of Department on feature films, overseeing the work of First Assistant Editors, and on larger productions, Second Assistants and Trainees. Understanding the art of storytelling and its impact on the audience was central to my approach in the filmmaking process.
• Held the crucial responsibility of ensuring the seamless flow of the story from beginning to end. Each shot was meticulously selected and edited, eventually assembling them into a series of scenes that would culminate in the final film. This role demanded a unique blend of creativity, challenge, and fulfillment, as I collaborated closely with the Director to weave the daily rushes into a coherent and captivating whole. Editors, often working long and demanding hours under pressure, are typically employed on a freelance basis by Producers, relying on their reputation and experience. My expertise extended not only to feature films but also encompassed television dramas.
• Collaborated closely with the Director before the commencement of shooting, strategizing to maximize the potential of the screenplay. On the first day of principal photography, I delved into the cutting room, which was sometimes located on the set itself. There, I meticulously reviewed the previous day's rushes, which had been developed overnight at the Film Lab and meticulously synced-up (ensuring alignment of sound and image) by the Assistant Editor. As an Editor, my focus extended beyond just technical standards; I carefully assessed the emerging sense of the story and the actors' performances. The unique challenge of working with scenes shot out of sequence required me to maintain a profound understanding of how the story unfolded, allowing me to skillfully select the best takes and seamlessly edit them together to create compelling scenes. In certain instances, an improvised line or an actor's interpretation added on-screen magic, inspiring the creation of new and exciting scenes that further enriched the narrative.
• Throughout the film's shooting phase, I invested countless hours in reworking and piecing together scenes to form a Rough Assembly. The post-production period then involved a collaborative process between the Editor and the Director, meticulously refining the assembly edit into the Director's Cut. The approval of the Producers was sought to achieve picture lock or Fine Cut, marking the final approval of the picture edit by the Director and/or Executive Producer. My role as an Editor extended to supervising subsequent music and track laying, as well as sound mixing.

Job Overview:

Half stop Down is one of the Bangladeshi Audio Visual Production house under the supervision of International award winning producer, director Amitabh Reza Chowdhury. During this period worked in multiple award winning TV commercials, two reality shows, one TV drama serial and seven TV films.

Key Responsibilities:

• Worked tight deadlines with team or independently and made quick creative editing decisions to maintain high quality of work.
• Organized and worked with raw footage from multiple cameras and sources.
• Contributed new ideas and looked for ways to improve content editing and processes.
• Delivered edits on time for reviews and final delivery.
• Created titles, captions, graphics and templates in After Effects to give edits additional visual flare.
• Edited together video, audio still imagery and motion graphics for creative and informational multimedia projects.
• Delivered edits with multiple camera angle choices, titles, graphics, audio, and special effects.