Cristina Gogirla

• Performed humorous and serious interpretations of emotional actions and situations, using body movements and gestures.
• Wrote original or adapted material of various styles for performances.
• Leveraged skills in gesturing, body movement and special voices to draw in audience members and build emotional engagement.

"Alice T", directed by Radu Munteanu, Background Role: Shopper

"A Christmas Prince", directed by Alex Zam

Background Role: A princess

• Collaborated with directors, producers, writing staff and performance teams to determine optimal performance strategies and perfect approaches.

"Faust", directed by Silviu Purcarete,

Roles: Rat, Pig, Spirit

"Viaductul", directed by Anca Bradu

Role: Maria

"Life is a stage", directed by Marian Ralea

Role: Cristina

"The weavers", directed by Florin Cosulet

Role: Carol singer

• Captured audience by channeling and exhibiting emotions, resulting in audience laughter, crying, excitement, shock and fear.
• Leveraged skills in gesturing, body movement and special voices to draw in audience members and build emotional engagement.

Role: The sister

• Performed humorous and serious interpretations of emotional actions and situations, using body movements and gestures.
• Researched roles by reading material or shadowing people similar to portrayed character.
• Studied scripts to successfully portray characters in dramas and comedies.
• Collaborated with directors, producers, writing staff and performance teams to determine optimal performance strategies and perfect approaches.
• Supported production needs by setting up and breaking down stages, moving props and distributing supplies.

" Harap-Alb", directed by Anca Bradu

Role: Emperor's daughter, The queen of honeybees

"Maitreyi", directed by Anca Bradu

Role: Maitreyi

"Moliere Stories", directed by Jean-luc Prevost

Role: The statue, Felice

"The Cherry Orchard", directed by Anca Bradu

Role: Duniasa

"Commedia' ", directed by Anca Bradu

Role: Colombina, Sabina

"Shakespeare's World", directed by Anca Bradu

Role: Isabel

"A doll house", directed by Dan Glasu

Role: Nora

"Romeo and Juliet", directed by Marian Ralea

Role: Juliet

"The Shoemaker's Prodigious Wife", Directed by Dan Glasu

Role: The Shoemaker's Wife

• Implemented special songs, dance routines and musical numbers to diversify performances.

"The idol with the feather on the hat", directed by Alexandru P. Rusu, role " Smeraldina"

"Hamlet", directed by Bogdana Darie, role "Laertes"

• Wrote original or adapted material of various styles for performances.
• Leveraged skills in gesturing, body movement and special voices to draw in audience members and build emotional engagement.
• Performed humorous and serious interpretations of emotional actions and situations, using body movements and gestures.

"What you want", directed by Cristina Gogirla and Alexandru Udrea

Role: The Angel

"The marriage of the Moon and the Sun", directed by Cristina Gogirla and Alexandru Udrea

Role: The Moon

"Shadows", directed by Cristina Gogirla an Mihalache Alexandra

Role: The woman

• Performed humorous and serious interpretations of emotional actions and situations, using body movements and gestures.

"Cindirella", directed by Alin Paius,

Role: A Princess, The Fairy, The Storyteller

"Lapusneanul", directed by Doina Migleczi

Role: The Peasant Woman

"From the Carnival", directed by Aurel Palade

Role: The Raped Miss

"Forfather Martin, the Doctor", directed by Simina Mititelu

Role: Elfin

"Memories, memories", directed by Nicolae Poghirc

Role: The Child

• Met with production director to discuss poses, movements and persona to portray.

I directed the following shows with Alexandru Udrea: "What you want", " The Wedding of the Moon and The Sun", " Shadows"

• Remained highly composed and calm in very fast-paced, stressful and constantly changing environments to provide optimal leadership and achieve desired results.

• Adapted teaching strategies to remain inclusive to diverse learning styles.

• Modeled creative acting styles and techniques encompassing varied history genres and performance techniques.

• Planned lessons to reflect group and individual student needs utilizing creative instruction.

• Researched roles by reading material or shadowing people similar to portrayed character.

• Study Abroad: Accademia Teatrale Veneta (Venice, Italy), Commedia dell' Arte technique

• Professional Development: Acting and Dance
• Eugenio Barba:" Acting Technique"
• Declan Donnellan:" The Carnal Space"
• Adam Lazarus: " Solo show creation: from jeu to character"
• Yasuda Masahiro: " Yamanote Method"
• Akihiro Yamamoto: " The principles of Japan's Clasical drama: Noh"
• Cosmin Chivu: " Narrative storytelling and performance techniques"
• Sebastian Smeureanu: "Meisner technique", "Developing the physical perspective of the character"
• Kym Moore: "Unconventional acting: the co-creator"
• Maxine Braham and Nelson Fernandez:" Exploring the character by moving"
• Data Tavadze: " The actor as a documentary material"
• Michele Modesto Casarin: "Commedia Dell'Arte"
• Iwan Brioc:" Performance. Labirinth theater"
• Ohad Naharin: " Contemporary dance"
• Barak Marshall: "Contemporary dance"
• Cesc Gelabert: " Contemporary dance"
• Michal Zahora: "Contemporary dance"
• Brenda Angiel: "Contemporary dance"
• Yo Nakamura: " Contemporary dance"
• Amir Kolben: " Contemporary dance"
• Farid Fairuz: " Contemporary dance"
• Noa Wertheim: "Contemporary dance"
• Rami Be'er: "Contemporary dance"
• Aditi Mangaldas: " Kathak dance"
• Guillaume Gabriel: "Contemporary dance"
• Gizeh Muniz: " Bodyground"
• Alicia Angelica Lopez Campos: "Theatre Pedagogy. Contemporary tendencies an innovations"
• Geza Mate Novak: " Learning through Drama and Theatre in Social Inclusion"

Ceramic/Plastic Arts Class