Daniel Dominguez

• Sourced additional grip gear from outside vendors when needed.
• Maintained an inventory of grip supplies such as gels, sandbags and clamps.
• Installed overhead lighting rigs for studio shoots.

• Built set walls, platforms and other structures as required by production design team members.
• Established a continuity system between multiple cameras used in a single shoot.
• Checked the safety of all grip equipment before each take to ensure proper functioning.

• Erected ladders and scaffolds safely in order to reach hard-to-access areas on set.
• Provided technical advice on lighting setups to the Director of Photography.
• Collaborated with Gaffer to plan electrical wiring layout for film locations.

• Set up and adjust rigging equipment, including lights, flags, scrims, reflectors and camera mounts.
• Checked the safety of all grip equipment before each take to ensure proper functioning.
• Organized lighting equipment for upcoming scenes and shot lists.

Scouting for upcoming episodes.

• Set up and adjust rigging equipment, including lights, flags, scrims, reflectors and camera mounts.
• Organized lighting equipment for upcoming scenes and shot lists.
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• Installed overhead lighting rigs for studio shoots.

DP : Danny Modder

• Rigged a 30’ Technocrane on a Process Trailer
• Persuit Vehicles
• Drones
• Traveled for work

• Rigged Cámaras on vehicles
• Set up and adjust rigging equipment, including lights, flags, scrims, reflectors and camera mounts.
• Checked the safety of all grip equipment before each take to ensure proper functioning.

DP: Brook Willward

• Help Students Learn the basics
• Teach the students set etiquette as a grip
• Displayed strong public speaking skills and communication abilities to facilitate highest quality tour for students.

• Setting up jib shots.
• Assembled studio sets, cameras and lighting equipment to be used during filming.

DP: Paul Marchall

• Love Lies Bleeding/ Reshoots
  

DP: Ben Fordesman

2nd unit Key Grip

- Persuit Vehicle

- RV Rigging / Semi Rigging

- Drone

DP: Peter Simonite

• Analyzed specifications to design protocols for work procedures, sequences of operations and machine setups.

Rigged cameras to Stage coaches/Wagons all season.

References: Larry Tang, Steve Grahm

DPs: John Bartley, Brook Willard, Paul Elliot, Frank Perl

• Rigged Cameras on vehicles (Hood Mount, Hostess Tray, Magnetic Head)
• Assembled studio sets, cameras and lighting equipment to be used during filming.
• Applied creative camera angle and lighting effect techniques to capture unique and appealing shots for productions.

DP: Joe Han

“Cowboy Currency” “Feature”

• Set and maintained organized and detailed schedules for production.
• Read script in advance to plan camera angles and addressed concerns.
• Controlled the sun

DP: Pete Konczal

• Read script in advance to plan camera angles and addressed concerns.
• Controlled lighting, filter factors and camera distances to meet shot targets.
• Helped prepare sets and set up equipment for in-studio filming.

• Assembled studio sets, cameras and lighting equipment to be used during filming.
• Applied creative camera angle and lighting effect techniques to capture unique and appealing shots for productions.

• Maintained cranes by inspecting for defects or wear, lubricated ropes and winches,and replaced worn out cables.
• Inspected equipment and materials for defects prior to operating cranes to prevent malfunction or damage.

• Used stationary, track-mounted or crane-mounted cameras depending on shot requirements.
• Helped prepare sets and set up equipment for in-studio filming.

• Assembled studio sets, cameras and lighting equipment to be used during filming.
• Coordinated with gaffer and camera crew to determine scene lighting and camera placement.

• Configured shots based on daily needs, weather and lighting conditions and available equipment.

• Safely and accurately assembled dollies, tracks and camera rigs.
• Safely and accurately assembled dollies, tracks, rigs and other Camera equipment.

• Controlled lighting, filter factors and camera distances to meet shot targets.
• Used stationary, track-mounted or crane-mounted cameras depending on shot requirements.

• Analyzed specifications to design protocols for work procedures, sequences of operations and machine setups.

• Safely and accurately assembled dollies, tracks, rigs and other Grip equipment.

• Completed setup, rigging and mounting of Camera and Grip equipment based on changing weather and project conditions.

• Verified presence and operational function of all equipment following filming and set breakdown.