Eva Mohn

• Worked in collaboration with colleagues for new creations from guest choreographing artists

"The Listeners" - Premier Umeå 2019- Choreography by Alma Söderberg

“The Man Who Grew Common in Wisdom” Premier Tanz Im August 2019 -Choreography by Deborah Hay

“On the Cusp” Premier January 2019 Choreography by Ian Kahler

¨The mental states of Sweden in Dance" Direction by Mattias Anderson

"Protagonist" Premier July 2016 Choreography by Jefta Van Dinther

“Figure a Sea” Premier September 2015 – Choreography by Deborah Hay

"Reproduction"-February 2015 Choreography by Eszter Soloman

“11th Floor” Premier October 2014 - Choreography by Edouard Lock

“Start=Stop” Premier February 28th 2014-Choreography by Adam Schutte

“Plateau Effect” Premier July 2013-Choreography by Jefta Van Dinther

“High Heels Too” Premier March 2013- Choreography by Benoit Lachambre

“August” (Strindberg Project 2012) Choreography by Tilman Odonnel

“Expectacle” (Original staging 2009) Choreography by Crystal Pite

“JJ’s Voices” (Original Staging 2009) Choreography by Benoit Lachambre

“Triptyk” (Original Stagin 2010) Choreography by Alexander Eckman

“Playback” site specific concept by Thomas Zamolo

• International tours: South Korea, Poland, Spain, Portugal, Germany, France, Netherlands, Belgium, Italy, Austria, Slovenia, Switzerland, Czech Republic, Estonia, Norway, Denmark, Finland, England, and The USA (Berkley, UCLA, Montclaire)
• cChoreographedperformances for anniversary events:
• “Det Kandes Som Det Var Min-Tribute to Birgit” –Choreography by Eva Mohn for Cullberg's 50th Anniversary Gala
• “Shoe on the Fire” Premier Februray 28th 2014-Choreography by Eva Mohn
• Represented dancer interests at union negotiations
• Designed and taught workshops for the Cullberg company, Cullberg's umbrella institution (Riksteatern), as well as audience.
• Organized company training with teaching artists
• Works for dance advocacy in Minneapolis local politics

• Worked with supervisor to assess needs and determine best courses of action.
• Maintained employee contracts and agreements
• Edited and translated job description documents and contracts
• Arranged for workshops and intensives for the Cullberg
• Delegated tasks to other team members.
• Set priorities and problem-solved workflow issues to maintain rapport with employees, guest artists and managers.

• Free-Lance Projects:
• "Radio WIRL" premier February 2024-University Dance Theater, University of Minnesota- Concept and Choreography by Eva Mohn
• "Untitled Night" premier January 2024
• Great Northern Festival- choreographic direction by Morgan Thorson
• " OnBach"- Premier March 2023- SITE Stockholm, Sweden-choregraphy by Tilman O'Donell, Eva Mohn as Assistant director
• “When Isn’t Yet” Premier Minneapolis April 2019 Concept, choreography and performance by Eva Mohn and Sarah Baumert
• “Manifest destiny: gold rush” Bryant Lake Bowl 9x22 Dance Lab March 26, 2008 Minneapolis, Concept, Choreography and Performance by Eva Mohn
• “Docudrama” May 2007 Bryant Lake Bowl Cabaret Minneapolis, Minnesota -Choreography by Morgan Thorson
• -“SHE does SAR” Carleton Artist Lofts Art Crawl October 2007 -Choreography by Eva Mohn, Sarah Baumert and Hannah Kramer: SHE Collective
• “A song of aging by her for him” Bryant Lake Bowl: 9x22 Dance Lab, March 2006 Minneapolis, MN
• “Existence Without Form” Premiered 2006 by Alvin Ailey American Dance Company-Choreography by Uri Sands, Assistant to director: Toni Pierce-Sands and Eva Mohn
• “Melismo” Walker Art Center’s 34th Choreographers Evening 2006 Minneapolis, Minnesota -Choreography by Eddie Oroyan
• “Put Her There” Intermedia Arts 2005 Fringe Theater Production-Choreographed by Put Her There Dance Collective (Jamie Ryan-Karels, Leslie O'neil, Maggie Bergeron, Eva Mohn)
• “Lost Lullabies” Walker Art Center’s 33rd Choreographers Evening 2005 Minneapolis, Minnesota-Black Label Movement Dance Company Choreography by Carl Flink
• *Guest @ Dancing People Company September 2005 Roseburg, Oregon -Choreography by Robin Steim
• *Guest @ Maggie Bergeron Dance Company 2004 Minneapolis, Minnesota-Choreography by Maggie Bergeron

• -Johannes Wieland Dance Company ( New York, NY/ Staatstheater Kassel, Germany) 2008-2012
• Works include:
• “Sheherezade”. “Breitengrad”, “RoadKill”, “The Catcher”, “und raus bis du!”, “Selbstausloser”, “Newyou”, “Sacre de Printemps”, Direction by Johannes Wieland
• “Giving Birth to a Thousand Years of Sorrow”*Guest Choreography by Jozef Frucek and Linda Kaptanea,
• “The Black Rider” *Choreography by Michael Langeneckert, Direction by Patrick Schössler, Staatstheater Kassel Somer Theater 2011

• TU Dance Company 2002-2009 (guest appearances -2012)
• Artistic Direction by Uri Sands and Toni Pierce Sands
• “And Let Go”, “A Plastic Nowhere”“January”, “And Let Go”, , “Tearing”, “ISMS” “Shapes and Gates”, “Tones of Adney,” “Lady”, “Precipitate”,“Veneers” “Witness”, “January” all choreography and direction by Uri Sands
• "Strum" * Choreography by Guest Artist Camille Brown

• Increased sales revenue by building strong relationships with local Farmers Markets
• Enhancing awareness about sustainable ocean management and wild caught commercial fishing practices

• Helped restored working order to small scale organic sheep farm during early stages of 2020 pandemic
• Temporary position as farm manager and on call care taker:

Managed lambing and kidding season, maintained a flock of 200 ewes, lambs and rams, 60 goats, 55 laying hens and 2 dogs

• Communicated with owner and veterinarian for round-the-clock care
• Administered medications and preventative measures to keep flocks antibiotic free
• Assisted with grounds keeping and maintenance