Talented and results-oriented executive creative professional with experience leading teams, managing budgets and developing strategies to engage target audiences. Proven track record of developing successful and innovative advertising and marketing campaigns that improve brand visibility and increase revenue. Possesses excellent eye for detail and nuanced understanding of brand voice and messaging.
As the Executive Producer and Executive Creative Director at Real Content, I've been fortunate enough to work with a wide range of clients specializing in producing high-end content and experiential events. Clients include: M&C Saatchi, Siegel & Gale, Coca-Cola, 360i, Tiny Rebellion, Unfinished Live, AECOM, Hillshire Farms, Solutions Projects, Greenfly, and many others.
As the EP and Software Development Project Manager I was able to manage a range of projects from Videos and TVCs as well as the creation of one the first AI based editing apps for iOS, Vidify (created with a three person team).
Pixomondo was one of the first companies to implement a 24/hour work cycle in the world of Visual Effects by having different locations around the globe transferring data throughout the day and night. It was an amazing challenge as we helped to evolve remote working and management tools and pipelines.
I was fortunate enough to work on several feature films and commercials with some of the best talent from over five different countries. Feature films included: Avatar: The Last Airbender, Suckerpunch, Dark Tide and Hugo (Oscars for *Best Picture, *Best VFX).
Zambezi began with myself and two Wieden + Kennedy alums. What started as a small hit team, Zambezi has evolved to a team of over 120 people and remains one of the best in class Ad agencies on the west coast. It was an amazing experience creating and managing teams in every medium (TVC's, Print, Web, and Large Scale Event Media). Clients included: The Los Angeles Lakers, Teva, Upshot, Vitamin Water and many others.
As one of the original founding members of Luma, I was able to be directly involved in growing the company from a small 5-person team to one over 300 in 3 different cities. We were one of the first VFX companies able to handle large feature films with smaller crews and pushed the boundaries of photo-realism. Feature films include: Crash (*Best Picture), No Country for Old Men (*Best Picture), Apocalypto, Into the Blue, Underworld, and many others.
Clients included: Nickelodeon, Mag Films, 3 Degrees, GL Entertainment, and many others.
• https://www.real-content.com/
• https://www.zmbz.com/
• https://www.lumapictures.com/
• https://www.linkedin.com/in/iannoe/
• https://www.imdb.com/name/nm1465186/