Summary
Work History
Skills
Affiliations
Timeline
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Micah Moyse

Atlanta,GA

Summary

Special Effects with a scenic art and film and television background, bringing crew coordination, finish quality control, and schedule discipline to production-driven projects. Supports complex builds by keeping painters aligned, maintaining continuity, and moving high-volume work through tight timelines. Well suited to projects that require clear task tracking, fast problem solving, and consistent handoff quality.

Work History

SPECIAL EFFECTS

Stranger Things
  • Delivered high-precision scenic and effects support on one of television’s most visually demanding productions. Integrated scenic elements with practical effects, ensuring seamless execution, continuity, and top-tier quality.
  • Stranger Things — Season 5
  • Coordinated with department teams to align effects placement, timing, and scene readiness.
  • Checked setups for continuity and quality before scenes moved forward on tight production schedules.
  • Adapted quickly to changing scene requirements while maintaining consistent quality and production flow.
  • Applied scenic painting techniques to match texture, tone, and finish requirements across multiple sets.
  • Kept workflow organized by tracking materials, coordinating handoffs, and supporting smooth transitions between setups.

RIGGING GRIP

Iatse
  • Supported major studio features requiring advanced rigging, safety awareness, and coordination with stunts, camera, and SFX teams.
  • Executed complex rigging setups for high-impact action sequences.
  • Ensured safe, efficient, and reliable rigging operations under tight deadlines.
  • Collaborated with stunts, camera, and SFX to support dynamic production needs.
  • Credits: Fast & Furious 7
  • Fast & Furious 8
  • All Sinners Bleed
  • Alvin and the Chipmunks
  • Keeping Up with the Joneses
  • Insurgent
  • Divergent
  • Supported repeated setup and strike of rigging systems between takes and location changes.
  • Documented rigging notes and handoff details to keep crews aligned across scene changes.
  • Assisted with coordinating crew assignments and work order timing during busy production days.

CHARGE SCENIC

Iatse
  • Maintained 100% finish quality standards across scenic work through consistent quality control and continuity checks.
  • Led scenic departments across multiple productions, coordinating crews, schedules, workflow, and quality control.
  • Managed large-scale crew execution through rapid episodic turnaround, keeping scenic work aligned with production demands.
  • Implemented workflow systems that improved speed, consistency, and finish quality across scenic departments.
  • Collaborated with production designers to match precise visual styles, textures, and high-end scenic finishes.
  • Credits:

    Star (Season 3) • Heart of Life (Pilot) • A Very Loud Christmas (Feature) • Kingdom Business (Seasons 1 & 2) • Woke (Season 1) • First Wives Club (Season 2) • The Ms. Pat Show (Seasons 1–6)
  • Excellent communication skills, both verbal and written.
  • Worked well in a team setting, providing support and guidance.
  • Managed time efficiently in order to complete all tasks within deadlines.

PAINT FOREMAN

  • Managed paint crews, delegated tasks, maintained quality standards, and ensured timely completion of scenic elements across major productions.
  • Oversaw multi-department coordination to keep builds on schedule.
  • Maintained high-quality finishes across large sets and specialty scenic pieces.
  • Trained new painters and supported skill development within the department.
  • Credits: Keanu (Feature)
  • Your Pretty Face Is Going to Hell
  • Star (Season 2)
  • The Gifted (Season 2)
  • The Resident (Seasons 2 & 3)
  • Directed paint crews through daily assignments, keeping scenic work aligned with build and strike schedules.
  • Reviewed completed surfaces for color match, texture, and finish quality before handoff to other departments.
  • Trained new painters on department standards, safe workflow practices, and consistent scenic application methods.
  • Coordinated with set, rigging, and special effects teams to support integrated production needs.

SCENIC PAINTER / GANGBOSS

  • Executed high-level scenic work across a wide range of television and feature productions, consistently delivering premium finishes and supporting large scenic teams.
  • Delivered specialty finishes, aging, distressing, and high-detail scenic textures.
  • Supported large scenic builds requiring precision, speed, and adaptability.
  • Maintained continuity and visual accuracy across multi-episode arcs and feature-length shoots.
  • Credits: Charlie’s Angels
  • Magic City (Seasons 1 & 2)
  • Pain and Gain
  • The Glades (S2 & S3)
  • Dolphin Tale 2
  • Tomorrowland
  • Hoke
  • Bloodline (Season 1)
  • Ride Along 2
  • Complications
  • Miss Peregrine’s Home for Peculiar Children
  • The Originals
  • Neighbors 2
  • Greenleaf (Seasons 1 & 2)
  • Hidden Figures
  • Sleepy Hollow

Skills

  • Scenic Painting & High-End Finishes
  • Large-Scale Crew Management
  • Rigging Grip Operations
  • Special Effects Integration
  • Workflow Optimization
  • Cross-Department Collaboration
  • High-Volume Set Production
  • Rapid Adaptation
  • Quality Control & Continuity
  • Problem-Solving in Fast-Moving Environments

Affiliations

I.A.T.S.E. Member since 2002

Timeline

SCENIC PAINTER / GANGBOSS

PAINT FOREMAN

SPECIAL EFFECTS

Stranger Things

RIGGING GRIP

Iatse

CHARGE SCENIC

Iatse

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Micah Moyse