Summary
Overview
Work History
Education
Skills
Phone
Personal Information
Timeline
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Paul Gordon

Los Angeles,CA

Summary

A seasoned professional with a strong presence in Los Angeles and Atlanta, I am the proud owner and operator of 29 Frames Ent and PTG Productions. With over my 24-year career, I have gained extensive expertise in the complexities of Reality TV and Game Shows. As a highly creative and adaptable producer, I have successfully pitched and sold five pilots to multiple networks. My skill set encompasses overseeing on-set activities, as well as managing pre-production, production, and post-production processes, demonstrating a comprehensive understanding of the entire production lifecycle.

Overview

Work History

Supervising Producer

25 WORDS OR LESS, Seasons 2 Thru 6, FOX
  • Managed production calendar to meet deadlines and milestones.
  • Liaised with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $400,000.
  • Delivered game-play and rules metting everyday.
  • Built and booked each days shows and match-ups.
  • Managed over 6000 potential contestants each season.
  • Shot over 1000 Episodes.

Head of Casting

AMERICA SAYS, Seasons 1 Thru 5, GSN
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $600,000.
  • Shot 825 episodes, 165 Episodes each season.
  • Pitched 75 teams each week for 15 weeks for a total of 1,125 each season.
  • Excellent communication skills, both verbal and written.
  • Managed production calendar to meet deadlines and milestones.
  • Set up timelines and estimates of production costs.

Head of Casting

CARD SHARKS, ABC
  • Estimated and managed casting budgets by overseeing expenses and payroll, controlling budgets up to $300,000.
  • Helped with first season development of game play.
  • Managed production calendar to meet deadlines and milestones.

Head of Casting

CHILD SUPPORT, ABC
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $350,000.
  • Managed production calendar to meet deadlines and milestones.
  • Set up timelines and estimates of production costs.
  • Stayed on and helped with contestant producing.

Creator, Writer, Executive Producer

UPON FURTHER REVIEW, ESPN
  • Pitched show at a Cubs baseball game and ESPN bought it before the 7th inning.
  • Co-wrote every episode (13).
  • Auditioned 100's of comedians, commentators, bloggers, and youtube personalities for on air talent.
  • Worked on and came up with every aspect of the budget.
  • Hired all writers, producers, and our director.
  • Found and rented the office space as well as studio we ended up using for our shoot.
  • Crafted dynamic content marketing pieces for broad client base to drive consumer awareness of brands.
  • Designed and implemented show mechanics and interactive elements for multiple titles.
  • Established documents outlining concept, art, deliverable specifications, show flow charts and overall content. Kept projects moving and teams working together cohesively.

Creator /Executive Producer

EVENTS BY MIKEY, BRAVO, (PILOT)
  • Found the talent and crafted entire show format.
  • Wrote, produced, shot and edited sizzle real.
  • Identified target networks and set up all pitches and meetings.
  • Mentored and hired new producers in office and field.
  • Developed and implemented story lines, beats, and through lines to run entire season.
  • Supervised production team of 20 workers to identify problems and provide effective solutions to maintain team productivity.

Supervising Producer

NIGHT SCHOOL, ESPN
  • Managed production calendar to meet deadlines and milestones.
  • Pretty much had to deal with Coach Knight everyday and manage him and his ego.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Developed daily, weekly, monthly schedules for production, budget, and editing, for timely delivery.
  • Developed all in-show game challenges.
  • Developed project budgets and managed production costs.
  • Directed work of lighting and sound crews to coordinate efficient production operations.
  • Collaborated with network executives to define and propel the shows mission and vision.
  • Observed tight deadlines and strict budgetary controls to avoid waste and streamline costs.
  • Found appropriate stories and ideas for programming to engage target audiences and hook advertisers.
  • Collaborated with ESPN and creative teams to develop, plan, and execute production projects.
  • Estimated and managed production budgets by overseeing expenses and payroll, controlling budgets up to $1,800,000.
  • Presented production ideas and determined creative scenarios for production and delivery.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Booked talent and arrange casting calls.
  • Used quickbooks to create timelines and estimates of production costs. Presented production ideas and determined all in-show game challenges for production.

Supervising Producer

SUMMER HOUSE, Seasons 1 & 2, ESPN
  • Managed production calendar to meet deadlines and milestones.
  • Liaised with directors and producers to book talent and arrange casting calls.
  • Used quickbooks to create timelines and estimates of production costs.
  • Collaborated with clients and creative teams to develop, plan, and execute production projects.
  • Estimated and managed production budgets by overseeing expenses and payroll, controlling budgets up to $800,000.
  • Presented production ideas and determined creative scenarios for production and delivery.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Ran post production using avid editing.
  • Developed daily, weekly, monthly schedules for production, budget, and editing, for timely delivery.
  • Developed all in-show game challenges.
  • Developed project budgets and managed production costs.
  • Directed work of lighting and sound crews to coordinate efficient production operations.
  • Collaborated with network executives to define and propel the shows mission and vision.
  • Observed tight deadlines and strict budgetary controls to avoid waste and streamline costs.
  • Found appropriate stories and ideas for programming to engage target audiences and hook advertisers.

Head of Casting

ROOSTER AND BUTCH, A&E
  • Found thousands of entrepreneurs & inventors looking for the chance to pitch their products and secure funding.
  • Pitched hundreds of potential contestants each week in person to the EP's as well as the Network.
  • Developed and maintained the casting strategy for outreach, retention, and viability of our investors.
  • Outlined A, B, and C story beats for each episode.

Head of Casting

CHAIN REACTION, Season 3, GSN
  • Estimated and managed casting budgets by overseeing expenses and payroll, controlling budgets up to $300,000.
  • Helped with first season development of game play.
  • Managed production calendar to meet deadlines and milestones.
  • Set up timelines and estimates of production costs.

Head of Casting/ Contestant Producer

POINTLESS, GSN
  • Managed production calendar to meet deadlines and milestones.
  • Worked with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $400,000.
  • Delivered game-play and rules metting everyday.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Developed schedules for production, editing, and duplication for timely delivery.
  • Presented production ideas and determined creative scenarios for production and delivery.

Head of Casting/Contestant Producer

CELEBRITY NAME GAME, SYNDICATED
  • Managed production calendar to meet deadlines and milestones.
  • Liaised with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $400,000.
  • Coordinated two giant open calls (4000 contestants in each) in two separate cities, Atlanta and Houston in less then two weeks.
  • Built and booked each days shows and match-ups.

Head of Casting/Contestant Producer

EMOJI GENIUS, GSN
  • Managed production calendar to meet deadlines and milestones.
  • Liaised with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $350,000.
  • Presented production ideas and determined creative scenarios for production and delivery.
  • Delivered game-play and rules metting everyday.

Head of Casting/ Contestant Producer

SHOTGUN, NBC SPORTS
  • Presented production ideas and determined creative scenarios for production and delivery.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Developed schedules for production, editing, and casting for timely delivery.

Head of Casting/ Contestant Producer

IDIOTEST, Season 3, GSN
  • Managed production calendar to meet deadlines and milestones.
  • Liaised with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll, controlling budgets up to $400,000.
  • Delivered game-play and rules metting everyday.
  • Built and booked each days shows and match-ups.

Head of Casting

WEST TEXAS INVESTORS CLUB, CNBC
  • Found thousands of entrepreneurs & inventors looking for the chance to pitch their products and secure funding.
  • Set up and conducted hundreds of in person on camera interviews.
  • Pitched hundreds of potential contestants each week in person to the EP's as well as the Network.
  • Developed and maintained the casting strategy for outreach, retention, and viability of our investors.
  • Outlined A, B, and C story beats for each episode.

Head of Casting / Contestant Producer

YOU DESERVE IT!, ABC
  • Managed production calendar to meet deadlines and milestones.
  • Worked with with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Set up and conducted hundreds of in person on camera interviews. Each one lasting between 30 mins to 2 hours.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Set up large open calls in 40 different cities, and coordinated with local affiliates on how run them.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.


Casting/Contestant Producer (CO-HEAD)

MINUTE TO WIN IT, NBC
  • Each show I was in charge of producing Guy Fieri, breaking down points for him to touch on and story beats to hit.
  • Did contestant producing on every show that aired on season one.
  • Set up timelines and estimates of production costs.
  • Worked directly with games department to help develop challenges for the show.
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Each day set up two large open calls.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting

SHAHS OF SUNSET, S3, BRAVO
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting / Field/Story Producer

FIGHT MASTER, SPIKE

Head of Casting / Field/Story Producer

RAISING MY BOSS, SPIKE
  • Managed production calendar to meet deadlines and milestones.
  • Wrote, shot, and helped edit all sizzle reals that got us the pilot.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Developed project budgets and managed production costs.
  • Directed work of lighting and sound crews to coordinate efficient production operations.
  • Observed tight deadlines and strict budgetary controls to avoid waste and streamline costs.
  • Found appropriate stories and ideas for programming to engage target audiences and hook potential networks.
  • Collaborated with EP's to develop, plan, and execute production projects.
  • Presented production ideas and determined creative scenarios for production and delivery.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Booked talent and arrange casting calls.


Head of Casting / Field/Story Producer

BREADWINNER, SPIKE
  • Managed production calendar to meet deadlines and milestones.
  • Wrote, shot, and helped edit all sizzle reals that got us the pilot.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Developed project budgets and managed production costs.
  • Directed work of lighting and sound crews to coordinate efficient production operations.
  • Observed tight deadlines and strict budgetary controls to avoid waste and streamline costs.
  • Found appropriate stories and ideas for programming to engage target audiences and hook potential networks.
  • Collaborated with EP's to develop, plan, and execute production projects.
  • Presented production ideas and determined creative scenarios for production and delivery.
  • Planned video shoots in studio and remotely by managing production through stages to completion.
  • Booked talent and arrange casting calls.

Senior Casting Director

THE QUEST, ABC
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting / Story Producer

FORD ESCAPE ROUTES, NBC
  • Set up and conducted hundreds of in person on camera interviews.
  • Worked in finding and identifying up and coming youtube personalities, that would be perfect for our show.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Set up large open calls in 18 different cities, and coordinated with local affiliates on how run them.
  • Scheduled appointments for auditions or readings with available contestants.

Senior Casting Director

THE GREAT ESCAPE, TNT
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Director (CO-HEAD)

THE BIG GIVE, ABC, Harpo
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Senior Casting Director

TAKE THE MONEY AND RUN, ABC
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting/ Field Producer

OBSESSED, A & E
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Senior Casting Director/ Contestant Producer

MILLION DOLLAR MIND GAMES , ABC
  • Did contestant producing on every show that aired on season one.
  • Worked directly with executive producers to help development of the show.
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Each day set up two large open calls.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Producer

1 VS 100 NBC
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Co - Head of Casting

FLAVOR OF LOVE 2, VH1
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Director

THE APPRENTICE , Seasons 1 Thru 4 NBC
  • Set up and conducted hundreds of in person on camera interviews. Each one lasting between 30 mins to 2 hours.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Set up large open calls in 22 different cities, and coordinated with local affiliates on how run them.
  • Scheduled appointments for auditions or readings with available contestants.

Casting Director

SURVIVOR, Seasons 3 Thru 8 CBS
  • Set up and conducted hundreds of in person on camera interviews. Each one lasting between 30 mins to 2 hours.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Set up large open calls in 40 different cities, and coordinated with local affiliates on how run them.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Director

THE AMAZING RACE, Seasons 1 Thru 6 CBS
  • Set up and conducted hundreds of in person on camera interviews. Each one lasting between 30 mins to 2 hours.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Set up large open calls in 40 different cities, and coordinated with local affiliates on how run them.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting

FLAVOR OF LOVE, VH1 , (PILOT)
  • Set up and conducted hundreds of in person on camera interviews (This was not easy).
  • From my casting pitches the network decided to change the format of the pilot.
  • Pilot was used as the "Gold Slandered" for VH1 for the next 5 years.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Producer

BIGGEST LOSER, NBC
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Producer (CO-HEAD)

TOUGH LOVE 2, VH1
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting

FASHION INC., LIFETIME
  • Found thousands of entrepreneurs & inventors looking for the chance to pitch their products and secure funding.
  • Set up and conducted hundreds of in person on camera interviews.
  • Pitched hundreds of potential contestants each week in person to the EP's as well as the Network.
  • Developed and maintained the casting strategy for outreach, retention, and viability of our investors.

Casting Director

THE BACHELOR, ABC
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting

THE FIXER, A&E
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Senior Casting Producer

FROM G'S TO GENTS, MTV
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting

SOLITARY, FOX
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Head of Casting / Contestant Producer

KILLER KARAOKE, TRU
  • Managed production calendar to meet deadlines and milestones.
  • Worked with directors and producers to book talent and arrange casting calls.
  • Set up timelines and estimates of production costs.
  • Estimated and managed casting and contestant producer budgets by overseeing expenses and payroll.
  • Built and booked each days shows and match-ups.

Senior Casting Producer

50: THE MONEY OR THE POWER, MTV
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Casting Director

THE BILLIONAIRE, FOX
  • Set up hundreds of in person on camera interviews each lasting between 30 mins to 2 hours.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.


Head of Casting

RALLY ACROSS AMERICA, HULU
  • Set up and conducted hundreds of in person on camera interviews.
  • Worked in finding and identifying up and coming youtube personalities, that would be perfect for our show.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Set up large open calls in 18 different cities, and coordinated with local affiliates on how run them.
  • Scheduled appointments for auditions or readings with available contestants.

Senior Casting Producer

I WANT TO WORK FOR DIDDY, VH1
  • Set up and conducted hundreds of in person on camera interviews.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Circulated breakdown notices among talent agencies and independent agents to search for perfect cast.
  • Scheduled appointments for auditions or readings with available contestants.
  • Edited all casting interviews as well as home tapes.

Senior Casting Director/ Field Producer

HOUSE QUEST, ABC
  • Negotiated payments, schedules and billing with actors and agents.
  • Witnessed all rounds of auditions to determine most qualified talent for roles.
  • Sent out audition materials such as scripts and sheet music about casting requirements.
  • Examined scripts to understand storyline and needed roles.

Casting Director

ARE YOU HOT, ABC

Casting Producer (CO-HEAD)

CRASH COURSE, ABC

Head of Casting

POKER STARS CHALLENGE, FOX

Head of Casting

OCHO-CINCIO'S THE TOURNAMENT, VH1

Casting Associate

BIG BROTHER 2, CBS

Education

Associate of Business Administration - Organizational Leadership

Cabrini University
Wayne, PA

Skills

  • Executive Producer
  • Supervising Producer
  • Head of Casting
  • Story Producer
  • Field Producer
  • Contestant Producer
  • Director of Development
  • Writer
  • Editor (Avid, Final Cut, Premiere)

Phone

  • 818-324-0526
  • 213-924-1451

Personal Information

Title: PRESIDENT, 29 FRAMES ENT & PTG PRODUCTIONS

Timeline

Supervising Producer

25 WORDS OR LESS, Seasons 2 Thru 6, FOX

Head of Casting

AMERICA SAYS, Seasons 1 Thru 5, GSN

Head of Casting

CARD SHARKS, ABC

Head of Casting

CHILD SUPPORT, ABC

Creator, Writer, Executive Producer

UPON FURTHER REVIEW, ESPN

Creator /Executive Producer

EVENTS BY MIKEY, BRAVO, (PILOT)

Supervising Producer

NIGHT SCHOOL, ESPN

Supervising Producer

SUMMER HOUSE, Seasons 1 & 2, ESPN

Head of Casting

ROOSTER AND BUTCH, A&E

Head of Casting

CHAIN REACTION, Season 3, GSN

Head of Casting/ Contestant Producer

POINTLESS, GSN

Head of Casting/Contestant Producer

CELEBRITY NAME GAME, SYNDICATED

Head of Casting/Contestant Producer

EMOJI GENIUS, GSN

Head of Casting/ Contestant Producer

SHOTGUN, NBC SPORTS

Head of Casting/ Contestant Producer

IDIOTEST, Season 3, GSN

Head of Casting

WEST TEXAS INVESTORS CLUB, CNBC

Head of Casting / Contestant Producer

YOU DESERVE IT!, ABC

Casting/Contestant Producer (CO-HEAD)

MINUTE TO WIN IT, NBC

Head of Casting

SHAHS OF SUNSET, S3, BRAVO

Head of Casting / Field/Story Producer

FIGHT MASTER, SPIKE

Head of Casting / Field/Story Producer

RAISING MY BOSS, SPIKE

Head of Casting / Field/Story Producer

BREADWINNER, SPIKE

Senior Casting Director

THE QUEST, ABC

Head of Casting / Story Producer

FORD ESCAPE ROUTES, NBC

Senior Casting Director

THE GREAT ESCAPE, TNT

Casting Director (CO-HEAD)

THE BIG GIVE, ABC, Harpo

Senior Casting Director

TAKE THE MONEY AND RUN, ABC

Head of Casting/ Field Producer

OBSESSED, A & E

Senior Casting Director/ Contestant Producer

MILLION DOLLAR MIND GAMES , ABC

Casting Producer

1 VS 100 NBC

Co - Head of Casting

FLAVOR OF LOVE 2, VH1

Casting Director

THE APPRENTICE , Seasons 1 Thru 4 NBC

Casting Director

SURVIVOR, Seasons 3 Thru 8 CBS

Casting Director

THE AMAZING RACE, Seasons 1 Thru 6 CBS

Head of Casting

FLAVOR OF LOVE, VH1 , (PILOT)

Casting Producer

BIGGEST LOSER, NBC

Casting Producer (CO-HEAD)

TOUGH LOVE 2, VH1

Head of Casting

FASHION INC., LIFETIME

Casting Director

THE BACHELOR, ABC

Head of Casting

THE FIXER, A&E

Senior Casting Producer

FROM G'S TO GENTS, MTV

Head of Casting

SOLITARY, FOX

Head of Casting / Contestant Producer

KILLER KARAOKE, TRU

Senior Casting Producer

50: THE MONEY OR THE POWER, MTV

Casting Director

THE BILLIONAIRE, FOX

Head of Casting

RALLY ACROSS AMERICA, HULU

Senior Casting Producer

I WANT TO WORK FOR DIDDY, VH1

Senior Casting Director/ Field Producer

HOUSE QUEST, ABC

Casting Director

ARE YOU HOT, ABC

Casting Producer (CO-HEAD)

CRASH COURSE, ABC

Head of Casting

POKER STARS CHALLENGE, FOX

Head of Casting

OCHO-CINCIO'S THE TOURNAMENT, VH1

Casting Associate

BIG BROTHER 2, CBS

Associate of Business Administration - Organizational Leadership

Cabrini University
Paul Gordon