Phalline Hoang

• Worked closely with Art Director to quickly generate innovative designs for client pitch, unannounced project.

• Worked closely with Art Director Katrina and Jeff to develop loose exploratory sketches and proceeded to delivere polished point-of-view illustration that is aligned with the project narrative and guest experience goals.

• Collaborated with Art Director Scott Kikuta and Supervising Producer Nick Filippi on Monster High, CG show.
• Responsible for generating loose concepts designs and immersive thematic exploration for sets and environments.
• Created orthographic drawing for sets, props turnarounds.
• Compiled artwork packages and visual guides for overseas production teams to ensure design accuracy and consistency.

• Served as background layout artist for Dang, It's Dracula! creating layouts that capture the show's unique visual style.
• Implemented feedback from art directors efficiently, and delivered artwork within a time-constrained production schedule.

• Served as a Background Layout Artist on Fired on Mars, creating layouts that aligned with the show's distinctive style.
• Efficiently incorporated feedback from art directors, and delivering artwork under tight deadlines.

Worked closely with production designer Aaron Spurgeon on Daffy and Porky: The Day the Earth Blew Up film, developing blue-sky concept art to define pivotal moments.

• Collaborated with Art Director Levon Jihanian on Tig N' Seek, creating backgrounds that aligned with the show's unique visual style.
• Efficiently produced high-quality backgrounds under tight deadlines , supporting the production fast-paced schedule.

• Served as Background Layout Artist for LEGO Monkie Kid Season 3, illustrating diverse backgrounds that aligned with the show's distinctive style, tone and mood.
• Create visually compelling layouts to enhance storytelling.
• Delivered high-quality immersive background designs that captured the tonal essence of the world, meeting stringent weekly deadlines.

• Served as Lead Concept Designer for unannounced theme park projects, overseeing multiple design initiatives to deliver assets on time and within budget constraints.
• Partnered with creative team to develop design concepts and mock-ups, staying true to brand IP while enhancing visual appeal.
• Produced aerial master paintings, environment sketches, elevations, storyboards, color keys, production ready murals, crafting immersive and interactive guest experiences.

• Collaborated with Art Director Jessica Bulinski on How to Train Your Dragon: Race to the Edge, creating color keys and painted 3D assets to support dynamic visual storytelling.
• Created loose color keyes, rough environment concepts and detailed texture painting for characters, environments and props, serving as guides for the overseas production team.

• Collaborated closely with Art Director Owen Yoshino and the creative team to brainstorm concepts for environment and experience design for Tokyo DisneySea.
• Developed concepts for guest experiences and show designs, contributing to immersive storytelling in themed environments.
• Delivered high-quality final assets that exceeded client expectations.

• Served as an illustrator for Warner Bros World Abu Dhabi, creating concept environment sketches, orthographic interior concepts, and aerial paintings.
• Designed and painted elevation drawings, props turnarounds, point-of-view key art, contributing to cohesive and engaging environments across zones including DC Comics Universe, The Flintstones, and Tom and Jerry.
• Collaborated with creative teams to ensure artwork aligned with project vision, enhancing the storytelling and aesthetic of each themed zone.

• Collaborated in brainstorming sessions to develop innovative world-building concepts for diverse zones within theme park designs.
• Created loose concept sketches, elevation designs, point-of-view-illustrations and paintings to meet project deliverables.

• Designed and painted flats and props for Shanghai Tomorrowland Disney's Buzz Lightyear dark ride, contributing to a high-quality installation of scenic art.
• Collaborated closely with Art Director Scot Drake to deliver assets that met rigorous standards within a fast-paced post production pipeline.

• Created loose sketches and revised storyboards based on feedback from the Art Director to align with project vision
• Contributed to brainstorming sessions, developing concepts and solutions for story pitches.
• Delivered color keys, production read designs for a children's book concept, ensuring high-quality visual execution.

Collaborated closely with the Lead Concept Artist and Art Director to design in-game props, cartography, animatic plates and poster art for Ratchet & Clank: A Crack in Time. Effectively communicated with art and production teams to provide support, ensuring alignment with project milestones and timely delivery of critical deadlines.