Summary
Overview
Work History
Education
Skills
Film Industry Experience
Administrative Experience
Book Reviews
Articles
Peer Reviewed Research Articles
Peer Reviewed Book Chapters
Conference Presentations
Fellowships
Research And Teaching Fields
Graduate Level Coursework
Timeline
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Sam Littman

Lubbock

Summary

Dynamic professional with extensive experience in academic administration and curriculum development at Texas Tech University. Proven ability to enhance student engagement through innovative program revisions and workshops. Skilled in film analysis and digital media production, fostering professional ambitions while managing complex projects in high-pressure environments.

Overview

9
9
years of professional experience

Work History

Assistant Director, First-Year Writing

Texas Tech University
Lubbock
01.2023 - 01.2024
  • As assistant director of Texas Tech’s First-Year Writing Program (ENGL 1301, ENGL 1302), I oversaw alongside the director and two assistants the 10,000 students and 200 instructors that we serve and work with each year. In my capacity I incorporated programmatic revisions including the implementation of social justice audio-visual media and supplemental readings that enriched the research-based course with an emphasis on current events and critical issues in society. My principal duties included conducting workshops, mentoring a group of first-year PhD students teaching in the program, setting up and maintaining the program’s website and Sharepoint, dealing with a vast range of issues between students and teachers and researching ways to improve our DFW rate.

Junior Manager / Executive Assistant

Underground
09.2018 - 05.2019
  • Assistant to Founder/CEO Trevor Engelson. Managed all administrative tasks on an extremely busy desk. Signed and managed 26 clients in collaboration with Mr. Engelson.

Production and Literary Assistant

Untitled Entertainment
04.2017 - 09.2018
  • Assisted the Head of Production, Laura Rister, and Coordinated development and post-production on more than a dozen projects for film and television with HBO, Netflix, Paramount and Disney. Credited as ‘Miscellaneous Crew’ for work on IO, a sci-fi film that Laura produced and which premiered on Netflix in May 2019.

Writer’s Assistant to David Elliot

04.2015 - 03.2017
  • Proofread and provided notes on scripts and pilots in development at NBC, HBO and Sony. Researched and collated material for potential projects. Managed Mr. Elliot’s schedule, including coordinating production of his short films.

Education

PhD - English (Film & Media Studies)

Texas Tech University
Lubbock, TX
08.2026

M.A. - Film Studies

Columbia University
05.2015

B.F.A. - Film

Syracuse University
05.2013

Skills

  • Teaching and curriculum development
  • Academic writing and research
  • Film analysis and digital media production
  • Academic administration and support
  • Fostering professional ambitions

Film Industry Experience

  • Junior Manager / Executive Assistant, Underground, 09/18, 05/19, Assistant to Founder/CEO Trevor Engelson, Managed all administrative tasks, Signed and managed 26 clients
  • Production and Literary Assistant, Untitled Entertainment, 04/17, 09/18, Assisted the Head of Production, Laura Rister, Coordinated development and post-production on projects, Credited as ‘Miscellaneous Crew’ for work on IO
  • Writer’s Assistant, David Elliot, 04/15, 03/17, Proofread and provided notes on scripts, Researched and collated material for potential projects, Managed Mr. Elliot’s schedule

Administrative Experience

Assistant Director, First-Year Writing, 2023-2024, Oversaw 10,000 students and 200 instructors, Conducted workshops, Mentored first-year PhD students, Maintained program’s website and Sharepoint

Book Reviews

  • Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture, Jeff Menne, Historical Journal of Film, Radio and Television, 2019, https://www.tandfonline.com/eprint/4F7SNYTEIRUAWRMMEBHQ/full?target=10.1080/01439685.2020.1773092
  • Making Images Move: Handmade Cinema and the Other Arts, Gregory Zinman, Historical Journal of Film, Radio and Television, 2020, https://www.tandfonline.com/eprint/GPNCQFXYPAARPESVXS9D/full?target=10.1080/01439685.2020.1836848
  • The Romanian Cinema of Nationalism: Historical Films as Propaganda and Spectacle, Onoriu Colacel, Film & History, 51, 2, 2021, 63-64, https://muse.jhu.edu/article/842306/pdf

Articles

  • The Long Take as a Reaction to the Past, Senses of Cinema, 71, 07/14, https://www.sensesofcinema.com/2014/feature-articles/the-long-take-as-a-reaction-to-the-past-in-contemporary-romanian-cinema/
  • Great Directors: Kelly Reichardt, Senses of Cinema, 71, 07/14, https://www.sensesofcinema.com/2014/great-directors/kelly-reichardt/

Peer Reviewed Research Articles

  • The Cinema of Survival: Historicizing Neoliberalism in Meek’s Cutoff and First Cow, Currently under review, Discourse
  • Shifting Roles in Representation: From Post-Fordism to Neoliberalism in Hollywood Talent Packaging, Currently under review, Media Industries
  • The Devil in the Details: Long Take Articulations of Multigenerational Holocaust Trauma in Jeanne Dielman, Currently under review, Critical Inquiry
  • Camera on the Verge of Collapse: Endururational Embodiment of Neoliberal Exhaustion in Rosetta, Currently under review, Critical Inquiry

Peer Reviewed Book Chapters

  • John Cassavetes’ The Killing of a Chinese Bookie, Screening American Independent Film, Routledge, 2023
  • I Feel Like Roger Corman: John Singleton’s Harnessing of Hustle & Flow, John Singleton: The Soulful Auteur, Forthcoming, 2024

Conference Presentations

  • Ethics of Inclusion: Piloting Grading Contracts in FYW at Texas Tech University, Council of Writing Program Administrators 2023 National Conference, 2023
  • Symphonies and Soundbites: The Harmony of Social Media Surveillance and Cancel Culture in Todd Field’s Tar, Pay(ing) Attention: Narratives of Notoriety and Fame, Stony Brook University, 2023
  • Reporting on the Wound: Writing as Trauma Therapy in Paul Schrader’s First Reformed and The Card Counter, Trauma and Nightmare: Third Annual Conference, InMind Support, 2022
  • Shifting Roles in Representation: From Post-Fordism to Neoliberalism in Hollywood Talent Packaging, Society of Cinema and Media Studies Annual Conference, 2021
  • 29,000 views of La Rue: The Educational and Consumer Appeal of Video Analyses as in Film Studies, Pedagogy 24 Times Per Second (P24X): Film & Media in the Classroom, University of Florida, 2015

Fellowships

  • Dissertation Completion Fellowship, Texas Tech University, 08/24, 06/25
  • Research Fellow, Transylvania International Film Festival, 05/14, 07/14, Provided with lodging, festival pass, and interviews in furtherance of my study of Romanian cinema and MA thesis.
  • Fellow, Sorkin in L.A. Learning Practicum, 03/13, One of two Syracuse film students selected by faculty to attend 'Sorkin Week', a week-long immersion into the industry in Los Angeles.

Research And Teaching Fields

  • Trauma theory
  • Psychoanalytic theory
  • Modernism
  • Neoliberalism in American Cinema
  • Canon formation
  • Film Industry
  • Post-colonial cinemas
  • Post-communist cinemas

Graduate Level Coursework

  • Trauma in Cinema
  • 1960s/70s American Cinema
  • International Cinema, 1930 – 1960
  • International Cinema, 1970 – 2000
  • Film Festivals
  • Global Film Noir
  • Transnational Cinema
  • Business of Film
  • Shakespeare
  • 19th Century American Poetry
  • James Joyce and Virginia Woolf
  • Literature of the Global South
  • Critical Methods in Literary Theory
  • Teaching Film Studies
  • Teaching College Literature

Timeline

Assistant Director, First-Year Writing

Texas Tech University
01.2023 - 01.2024

Junior Manager / Executive Assistant

Underground
09.2018 - 05.2019

Production and Literary Assistant

Untitled Entertainment
04.2017 - 09.2018

Writer’s Assistant to David Elliot

04.2015 - 03.2017

PhD - English (Film & Media Studies)

Texas Tech University

M.A. - Film Studies

Columbia University

B.F.A. - Film

Syracuse University
Sam Littman