Teaching Philosophy
The cultivation of well-rounded actors begins with a classroom rooted in creativity, curiosity, and collaboration. Acting is approached as a shared journey—an ongoing process that encourages students to take risks, trust their instincts, and discover their unique artistic voices. In this space, exploration is celebrated, and mistakes are welcomed as vital components of growth.
A strong emphasis is placed on professionalism as an integral part of artistic development. Students are expected to arrive prepared, respect their peers, and contribute positively to a collaborative environment. These habits not only support success in the classroom but also prepare students to thrive in the professional world.
Training focuses on building a solid foundation in voice, movement, and ensemble work. Through structured guidance and imaginative practice, students learn to navigate the balance between academic responsibilities and artistic opportunities with integrity and focus. Central to this process is a deep respect for diversity, inclusivity, and all gender identities—ensuring that every student feels seen, valued, and supported in their creative exploration.
The goal is to nurture confident, disciplined, and expressive performers who bring authenticity, curiosity, and generosity to every creative space they enter. This philosophy is supported by a commitment to dynamic, inclusive teaching methods, responsive to diverse learning styles and dedicated to fostering a classroom culture where everyone has the opportunity to thrive.
Courses taught:
An entry-level course that introduces students to foundational performance techniques, emphasizing presence, ensemble work, and basic acting exercises to build confidence and creativity on stage.
A beginning acting course focused on core acting principles such as objective, tactics, obstacles, and point of view. Emphasis is placed on active listening, truthful behavior, and moment-to-moment responsiveness.
An advanced acting course centered on scene work from modern realism, specifically the plays of Ibsen and Chekhov. Students develop nuanced character work, emotional depth, and ensemble collaboration.
A course exploring classical acting techniques with a focus on heightened text, rhythm, and physical precision. Students engage with period styles and classical playwrights to develop vocal and physical agility.
A physically centered course incorporating Viewpoints and Laban Movement Analysis. Students learn to explore and expand their physical expression as actors, developing spatial awareness, gesture, and ensemble movement vocabulary.
An overview of theatre history, terminology, and practice. Students gain insight into the collaborative nature of theatre, including the roles of performers, directors, designers, and production teams.
A communication course aimed at enhancing personal and professional relationships. Topics include active listening, emotional intelligence, conflict resolution, and communication styles across different settings.
A practical course designed to build confidence in public speaking. Focuses include speech organization, effective delivery, nonverbal communication, audience engagement, and research-based presentation skills.
Courses taught:
Courses taught:
Interim Instructor – Acting I & Voice and Movement
University of New Hampshire
Director, Theatre Camp – Sharon, MA
Swampscott Rover Academy Film and Theatre Appreciation Workshop
Taming of the Shrew (Petruchio) – ShakesBEERience / Seven Stages, NH
Rabbit Hole (Izzy) – Seacoast Repertory Theatre, Portsmouth, NH
Pride and Prejudice (Mr. Bennet / Charlotte Lucas) – New Hampshire Theatre Project, Portsmouth, NH
Almost, Maine – Salem State Summer Theatre, Salem, MA
Inherit the Whole (Kaianne) – Athenaeum Theatre, Chicago, Company (Kathy) – Florida Repertory Theatre, Fort Myers, FL
Joseph and the Amazing Technicolor Dreamcoat (Wife) – Ogunquit Playhouse, Ogunquit, ME
Jesus Christ Superstar in Concert – Ogunquit Playhouse, Ogunquit, ME
Joseph and the Amazing Technicolor Dreamcoat (Wife) – Prescott Park Arts Festival, Portsmouth, NH
Dcup Diatribes (One-Woman Show) – Gorilla Tango Theatre, Chicago, IL
Instant Theatre (Mary) – Chicago Dramatists, Chicago, IL
Into the Woods (Stepsister) – Prescott Park Arts Festival, Portsmouth, NH
Women's Play Festival (Boss) – Strawdog Theatre Company, Chicago, IL
The Rocky Horror Show (Magenta) – Hampton Beach Casino Ballroom, Hampton, NH
Pentecost (Yasmin) – Playhouse Theatre, Pennsylvania State University, University Park, PA
Twelfth Night (Olivia) – Pavilion Stage, Pennsylvania State University, University Park, PA
Speaking in Tongues (Sarah) – Pavilion Stage, Pennsylvania State University, University Park, PA
A Midsummer Night's Dream (Puck) – Outdoor Shakespeare, Pennsylvania State University, University Park, PA