With a distinguished tenure at The University of Oklahoma, I excel in delivering impactful group and individual instruction, evidenced by a significant enhancement in student assessments. My adeptness in curriculum development and mentorship, coupled with a proactive approach to educational innovation, underscores my commitment to academic excellence.
Member, Graduate Committee, 2020 to present, Search Committee Member, Professor of African American Literature, post-1900, 2021-22, Search Committee Member, Professor of African American Literature, pre-1900, 2019-20, Editorial Board Member, Genre, Fall 2019 to present, Member, Committee A, Fall 2017 to Spring 2019, Search Committee Chair, Director of First-Year Composition, 2014, Search Committee Chair, Professor of Science and Technical Writing, 2013, Co-Chair, Student Awards, Spring 2013, Director, First-Year Writing, Fall 2007 to Spring 2011, Co-Director, First-Year Writing, Fall 2006, Interim Director, First-Year Writing, Spring 2006, Undergraduate Director, 2002 to 2005, Coordinator, Student Awards Ceremony, 2001-2002, Member, Women’s Roundtable on Women in the Profession, 1995-1999, Workshop Facilitator, Computers in Composition and Literature, 1996 to 2001, Interviewer, Mock Interviews for Graduate Student Job Candidates, 1996-1998, Member, College of the Arts and Sciences Tenure and Promotion Committee, 2021 to 2022, Member, PAGEO Committee, 2013 to 2015, Contributor, Books That Inspire exhibit, 2007
(405) 326-2772, (405) 325-0831
Red Dirt Women: At Home on the Oklahoma Plains, University of Oklahoma Press, 2013, Activist Rhetorics and American Higher Education, 1885-1937, Southern Illinois University Press, 2000, Most American: Notes from a Wounded Place, Rilla Askew, University of Oklahoma Press, 2017, Literacy, Voting Rights, and the Citizenship Schools in the South, 1957-70, College Composition and Communication, 57, 2006, 479-502, Emerging Technologies and the Public Intellectual, Literature, Interpretation, Theory, 16, 4, 2005, 381-388, Politics, Identity, and the Language of Appalachia: James Watt Raine on ‘Mountain Speech and Song’, Rhetorical Education in America, Cheryl Glenn and Margaret Lyday, University of Alabama Press, 2004, 74-86, Subversive Feminism: The Politics of Correctness in Mary August Jordan’s Correct Writing and Speaking (1904), College Composition and Communication, 48, 1997, 39-55, The Embodied Rhetoric of Hallie Quinn Brown, College English, 59, 1997, 59-71, Linguistic Difference in Rhetoric Textbooks for New Audiences (1889-1937), Conference Proceedings from the 1996 Meeting of the Rhetoric Society of America, Theresa Enos and Richard McNabb, Erlbaum, 1999, 109-114, Off-Road Diner: Panhandle, Oklahoma, North Dakota Quarterly, Fall/Winter 2021, 55-56, The Comfort Highway, Ain’t Nobody Can Sing Like Me, Calhoun-Misch, Mongrel Empire Press, 2010, 273, On Grassland Lake, Nimrod, Fall 2004, 189, Kirk School at Orient Correctional, The Cumberland Poetry Review, Spring 1998, 70-71, The Birds, Your Hands, The Laurel Review, Winter 1998, 69, By Water, Borderlands: Texas Poetry Review, Spring/Summer 1997, 54, The Bird Watcher, Ain’t Nobody Can Sing Like Me, Calhoun-Misch, Mongrel Empire Press, 2010, 274-281, Girls in the Ring, Deep Muddy, Spring 2009, 60-69, Adoption Story, Poem Memoir Story (PMS), Spring 2007, 86-97, Bryn Mawr School for Women Workers, Karyn Hollis, Southern Illinois University Press, Rhetoric Society Quarterly, 35, 1, Winter 2005, 127-128, Vote and Voice: Women’s Organizations and Political Literacy, 1915-1930, Wendy Sharer, Southern Illinois University Press, Rhetoric Review, 25, 1, 2006, 96-99, Fencing With Words: A History of Writing Instruction at Amherst College during the Era of Theodore Baird: 1938-1966, Robin Varnum, NCTE, Newsletter of the Coalition of Women Scholars, 1, 1996, 3-4, Calling: Essays on Teaching in the Mother Tongue, Gail B. Griffin, Trilogy Books, Pasedena, California, Composition Chronicle, 6, 8, 12/01/93, 11-12