Alex Frisch

• Creative Director
• Technologist
• VFX Supervisor
• In 2014, Alex founded INREAL a VR company.
  
  Alex developed new custom VR techniques, providing new tools able to attract the high-end Film industry to VR.
  
  With the constant focus on quality and performances, INREAL’s new real time workflow offers the highest image quality, faster, at a very competitive price.

• Freelancing as a VFX Sup/Lead Flame artist at various companies in Los Angeles such as: Method, Framestore, MPC and more.
• Over the last 3 years Alex embraced Virtual Production (VP) and became proficient with UNREAL, the new real time engine from EPIC that is currently revolutionizing Filmmaking forever.
  
  The new creative possibilities offered by the combination of Virtual Production, LED Volume and 360 CG worlds are mind boggling, paving the way for the Metaverse to come.
  
  Alex is currently developing new ways of creating high-end content that can be watched on multiple formats, from your phone, computer, internet streaming, Film theatre release, live shows, concert, exhibitions, getting ready to build the new Metaverse one digital brick at a time.

Responsible for the development of the Visual Effects department

• Lead Creative Director
• Lead Flame artist
• Co-managing director
• Build a team of 2D and 3D artists from scratch
• In 1998, Alex co-founded Method “an artist driven visual effects company”. Alex built Method’s image on impeccable invisible effects and great engineering.
  
  In 2001, Alex took on the additional responsibilities of running Method when he became co-managing director. Alex oversaw the growth and development of Method, attracting some of the best up and coming 2D and 3D artists from around the world. Alex was able to draw top directors such as Rupert Sanders, Noam Murro, Traktor and Zach Snyder to name a few.
  Alex has always been driven to bring Method to the next level, pushing the boundaries with bespoke custom solutions. Method has become one of the best players in the industry, that was true in 2009 and is still true today.

I was responsible to develop the visual effects department from the ground up

In 1995, top Hollywood studio “525 Post” brought Alex to Los Angeles to work on Madonna’s music video: “Bedtime Stories”, directed by Mark Romanek. This was Alex’s dream come true!

Alex stayed on at 525 for 3 years, working on the top Films, commercials and music videos, such as the most expensive music video of all time: “Scream”, from Michael and Janet Jackson, directed by Mark Romanek, or the movie “The Game”, directed by David Fincher. During his time at 525 Alex established a close relationship with Director Gore Verbinski, working on all his projects for 10 years, including the “Pirates of the Caribbeans” Trilogy.

• Harry, Henry, Flame at Duran, Duboi, Mikros Image, GLpipa, Mediasystem, etc..
• In 1985 Alex became a visual effects artist in Paris, working with such directors as Jean-Paul Goude, Michel Gondry, Jean-Baptiste Mondino, Stephane Sednaoui and David Lynch, along with new directors who adopted visual effects as a new tool to better tell their story.
  
  In 1992, Alex was one of the first artists to utilize the revolutionary Flame compositing software.
  
  Alex continued to build his body of work, working through Europe with the best high-end Directors.

First introduction of digital tools in post production

• First multi slide shows driven by a music in real time.