Amy Howerska

Initially, I was asked by executive producers to write a script report on a first cut. As a result of that report, the director asked me to come on board as a producer.

• I worked as the story producer and creative producer of what eventually became FREE POWER, a feature-length climate doc on the politics of what powers our homes.
• Review all prior research material and rushes to create a stronger narrative, through line, and four-act structure.
• Additional research for the through-line and expert speakers. (Inclusive of speaker approach)
• Recruited staff, including an editor, a composer, marketers, designers, and local production crews.
• Included contracts, agent negotiations, and diversity hire requirements.
• My goal was to diversify both the speakers and the team to improve the project.
• Scheduled shoot dates with Aether's in-house team.
• Edit rounds, briefing notes
• Post-production schedule management with the post supervisor.
• …and obviously so much more when you are a small production house making an independent feature

• Scripted short film, Iconic American Brand (under NDA until release), Writer & Consultant.
• Alma Mater: Music Video - Bleachers and Lana Del Rey; Story Editor. Nominated for the MTV VMA.
• Channel 4 News UK: Meet the QAnon Shaman Short Doc, Producer, and Script Editor; over 500k views.
• Rewiring America: Brand Strategy Concepts and Scripts for Digital Content and Television Ads.

Awarded a BBC Writers Room Wales fellowship while working on prominent BBC radio comedy productions, featuring future household names in comedy in both the UK and the USA.

• 2019 Rockerdale Studios Script Option: 'Drop Zone Chronicles'.
• 2018 BBC2 sitcom pilot 'Outsiders,' TRX, October 2018.
• 2016: The Welsh Assembly, Political Satire, BBC Radio Wales.
• Writer, 2016, News, Jack, Radio 4.
• Political Satire, London Writer.
• 2015: The Making of a SASSPOT, BBC Radio 4 Extra. London writer and producer.
• 2015 Radio 4 Now Show: Political Satire, London.
• 2015 BAFTA Rocliffe Award Script for the PYPO Web Series, Executive Producer Stephanie Laing (Veep).
• 2014 Viral Tap, ITV (Writer for panelists).

Executive Assistant to the Head of Content, then promoted to EA for the Artistic Director of the BFI London Film Festival. My final roles were in COMMS.

• For six years, I was part of a small team instrumental in delivering the BFI London Film Festival.
• Reviewed film submissions to the BFI LFF, and wrote script reports on the programming potential of the feature films for the festival director.
• Formatting internal memos and both internal and external submission emails.
• Managing and organizing the flow of incoming and outgoing materials/submissions.
• I managed important stakeholder relationships and acted as the POC, both internally and externally, for filmmakers and the press.
• In short, all of the sweat, spreadsheets, and late nights that go into delivering Europe's largest film festival.

Headhunted from the BFI to join Think Jam, a digital PR agency specializing in film, retained by 20th Century Fox and Warner Brothers to run their digital campaigns.

• There, I managed the full life cycle from brainstorming, andpitching, to implementation.
• We repurposed assets with new creativity as part of coordinated PR campaigns.
• I led a team that delivered campaigns for the Harry Potter film series and The Dark Knight Rises.