

Film industry specialist with a dual background in high-volume festival administration (SXSW, AFF) and cinematic curation. Expert in tracking national repertory trends across institutions like the Metrograph and Aero Theatre, with specialized subject matter expertise ranging from Pre-Code cinema and Screwball comedy to the Japanese transgressive aesthetics of the 1960s and 70s. Combines a "guest-first" curatorial eye with the technical and legal rigor cultivated at the Texas Film Commission to manage complex rights research, digital print traffic, and professional contract negotiations.