CÉLINE ROBINSON is a French-born, London-bred, New York-based Writer/Producer. She attended The New School in New York City where she studied literature and theatre. Right out of school, she began working for LAW & ORDER: SVU, where for seven years she got a master class in structure and writing, while producing over a dozen of her scripts. In 2019, she earned a GLAAD Award nomination for her work.
She has since worked for a half-dozen shows on streaming and cable, staffing and developing on Disney+, Showtime, Netflix, and Apple.
She is an extremely hard-working, rigorous writer, who has a devotion to political causes, political writing, speechwriting, and making a difference through her skill. She cares deeply about deadlines, clarity, and is very used to the fast-paced high-octane environment of television production, remaining unflappable under pressure.
Writing scripts and generating ideas for the first season of a new AppleTV show "BURNING BRIDGES". Serving as a second in command to the showrunner. Helping to manage the team of writers. Advising the networks and showrunner on budgetary and producing considerations. Currently subject to casting contingencies in order to move to production.
Pitched and sold the television adaptation to the comic book "GHOST" from Dark Horse Comics to Netflix. Wrote a Pilot and created a series overview. The project was ultimately canceled due to interruptions caused by the 2023 WGA Strike.
Writing scripts and generating ideas for the first season of the Netflix show "GRENDEL". Serving as a second in command to the showrunner. Helping to manage the team of writers. Advising the networks and showrunner on budgetary and producing considerations.
Oversaw the pre-production, production, and post-production of the show in Vancouver, Canada.
Writing scripts and generating ideas for the second season of the Netflix show "RESIDENT EVIL". Serving as a second in command to the showrunner. Helping to manage the team of writers. Advising the networks and showrunner on budgetary and producing considerations.
Participated in the development room of a new show for AppleTV "IF/THEN". Helped develop season arcs, wrote original scripts.
Writing scripts and generating ideas for the first season of the Showtime show "AMERICAN RUST" (now airing on Amazon). Was due to use my producing experience to oversee the filming process, but was interrupted by shutdowns over the COVID-19 pandemic.
Participated in the "development writers room" and generated story arcs for the Star Wars series that was to become ANDOR.
Writing scripts and generating ideas for the historic NBC show "LAW & ORDER: SVU".
Serving as a leader to more junior writers in the room. Overseeing episode edits. Overseeing pre-production and production of dozens of episodes over the course of the season.
Writing scripts and generating ideas for the historic NBC show "LAW & ORDER: SVU".
Serving as a leader to more junior writers in the room. Overseeing episode edits. Overseeing pre-production and production of dozens of episodes over the course of the season.
Writing scripts and generating ideas for the historic NBC show "LAW & ORDER: SVU".
Overseeing pre-production and production of dozens of episodes over the course of the season. Overseeing episode post-production edits.
Writing scripts and generating ideas for the historic NBC show "LAW & ORDER: SVU".
Overseeing pre-production and production of dozens of episodes over the course of the season. Overseeing episode post-production edits.
Helping the writers of the "LAW & ORDER: SVU" writers room, organizing their notes and research documents. Assisting the episode writer on set with notes. Learning the trade of becoming a television writer.
Nominated for the 2019 Outstanding Individual Episode for LAW & ORDER: SVU episode titled "Service".