Dan Walsh

• Responsible for all aspects of running a fully remote Audio Post Production Studio
• Owner / Business Operations Administration / Technical Studio Management / Senior Audio Engineer
• Recordist, Sound Designer & Mixer in all aspects of audio post, across all media platforms.
• Engineered high-quality audio recording and mixing for diverse projects across TV, film, radio and podcasts.
• Operated and maintained advanced audio equipment, ensuring optimal performance during sessions.
• Developed innovative mixing techniques to enhance audio clarity and depth in recordings.
• Enhanced audio quality by expertly mixing and mastering recordings for various projects.
• Consistently met project deadlines through diligent time management and prioritization of tasks.
• Collaborated with producers and performers to determine and achieve desired sound for productions.

• Promotional recording and mixing for Comedy Central and Paramount Shows for Broadcast / Radio daily.
• Designed soundscapes for various projects, enhancing viewer engagement and emotional impact.
• Collaborated with producers to create audio elements that align with project vision.
• Utilized Pro Tools and other software to edit and mix audio tracks efficiently.

Senior Engineer and Technical Head of Studio Operations.

Technical Execution and Audio Production

• Operated and maintained 4 recording and mixing rooms.
• Managed junior engineers' plus all recording sessions, ensuring optimal sound quality and client satisfaction.
• Equipment Maintenance: Oversaw the calibration and repair of sensitive analog gear and keep the digital audio workstations (DAWs) like Pro Tools.
• Problem Solving: Was the "go-to" for troubleshooting when a complex technical issue threatens to derail a high-cost session.
• Recording & Tracking: Determined the best microphone placement and selection to capture the specific character of vocals or instruments, managing signal flow through high-end preamps, compressors, and mixing consoles.
• Mixing: Balanced dozens (sometimes hundreds) of tracks, using equalization, dynamics processing, and spatial effects to create a cohesive, professional sound.
• Budgeting & Timelines: Managed project budgets and schedules, ensuring that a 12-hour session doesn't go over time and that resources are used effectively.

Creative Direction

• Translating Vision: Consulted with artists and producers to understand their creative goals and translate "vague" descriptions (like "make it sound warmer") into specific technical choices.
• Session Management: Lead recording sessions, keeping the vibe in the room positive and ensuring the client / artist feels comfortable enough to deliver their best performance.
• Creative Input: While I respect the producer's role, I was often asked for creative suggestions on vocal production, arrangement, or sound design.

Leadership and Mentorship

• Mentoring Juniors: Trained and guided assistant engineers and interns, overseeing their work and helping them develop their technical ears.
• Workflow Optimization: Designed and implement advanced audio systems and studio workflows to make sessions more efficient.
• Quality Control: Acted as the final authority on audio fidelity, ensuring every project leaving the studio meets a high professional bar.

• Engineered high-quality audio recordings and mixing for Advertising clients (i.e. Verizon, Subway, Toyota)
• Collaborated with artists to achieve desired sound quality and artistic vision.
• Mentored junior engineers on industry best practices and technical skills in sound engineering.
• Implemented workflow improvements that streamlined recording processes and reduced session times.

• 2007 NY Emmy Award Winner
• Engineered high-quality audio recording and mixing for diverse projects across music, film, and radio.