Grant Hall

As the AV Manager for SuperMotocross, I coordinate in-stadium AV production for the live show, working with touring production, in-venue crews, and stage managers to align audio, video, graphics, and entertainment timing. I confirm technical requirements with the house control room, check sound and display output, and call graphics cues during the show. Separately, I manage setup, operation, and teardown of pre-race and post-race press conference systems, including the ATEM switcher, an audio rack with 10+ microphones, supplemental sound, and feeds to LED displays and YouTube. Across both responsibilities, I have learned to anticipate technical needs, keep communication clear between teams, and stay focused when plans change.

Through Klance, I've worked with STL CITY SC’s production crew since the inaugural match and developed the proficiency to step into any position in their control room using Ross systems. Learning those roles has given me an understanding of the full production workflow and how to anticipate what other operators need. I’ve also worked Battlehawks control-room productions through Klance, alongside broadcast trucks and in-house assignments for Supercross, Monster Jam, AEW Wrestling, NHL, college basketball, Bands of America, conventions, and televised award shows. Working across crews and venues has strengthened my ability to adapt quickly, communicate clearly, and take ownership of my assignment.

I’ve worked in live production for the St. Louis Cardinals since the 2022 season, developing the proficiency to operate any position in their control room. My expertise includes Q-SYS audio workflows, Grass Valley switcher operation, Daktronics stadium display systems, and building and operating graphics in Ross XPression. I prepare and test systems before games, execute live cues, and troubleshoot alongside the production crew. Learning each position has helped me understand how the entire show fits together and what other operators need from me. I take pride in being prepared to step into an assignment, communicate clearly, and give the crew someone they can depend on.

During the 2026 UFL season, I worked as a stage manager for the St. Louis Battlehawks, serving as one of the primary links between the production control room and the field. I coordinated on-field entertainment, ceremonies, and game-day activations, keeping people and live elements ready to move on cue. The role required me to listen closely to the control room, communicate clear direction on the field, and adjust as game timing changed. It strengthened my ability to lead through communication, stay composed under pressure, and understand how my preparation affected everyone involved in the next live moment.

I founded Optik Media and lead its video and photography work for commercial clients. I handle creative direction, shooting, and editing while managing each project’s schedule and budget. Building the business has taught me to listen carefully and set clear expectations. I’ve learned to make decisions independently, adapt to feedback, and take responsibility for the finished work. My relationships with clients depend on honest communication and following through on what I promise.