Trinidad ZALDIVAR

Development professional with extensive experience in multilateral organizations, focusing on the promotion and implementation of projects in the creative industries across Latin America, and the Caribbean. A leader in the creation of knowledge products in the field of creative industries. Expert in managing art collections and programs, with 35 years of experience in cultural management. Frequent speaker on public policy in the cultural sector. Holder of a Ph.D. In history from the Pontifical Catholic University of Chile and Université Paris 1, Panthéon-Sorbonne, France. Author of more than 20 publications (books and articles) on cultural history.

• 2021, Creative industries as a tool for economic recovery and social cohesion, Monograma: Revista Iberoamericana de Cultura y Pensamiento, No. 9, 2021
• 2020, Creative Industries and the Economic Turnaround: Trends and Challenges, in The Audiovisual Public Policy Landscape in Latin America (Latin-America Training Center & Olsberg, Brazil)
• 2020, Access to Cultural Activities and the City as a Post-COVID-19 Space of Enjoyment, Ciudad de Buenos Aires Bulletin
• 2019, The Power of the Orange Economy, Universitaria Magazine (Chile), No. 155
• 2010, (with Macarena Sánchez) Symbols, Emblems, and Ritual in Nation-Building: The Civic-Republican Festival in Chile, 1810–1830, in Nation and Nationalism in Chile. 19th Century (Gabriel Cid, Alejandro San Francisco, Eds.), Vol. 2, pp. 73–115; Centro de Estudios Bicentenario, Santiago
• 2009, Economists of the University: A Biography. 1934–2007, University of Chile
• 2008, Heritage Conservation: A Network in Construction, FOCO, No. 6 (May), Ediciones Lo Castillo, pp. 50–54
• 2008, Catholic Trade Unionism in the Personality of Fernando Vives Solar, S.J., in Catholic Social Thought in Chile, Ediciones Universidad Alberto Hurtado, Santiago
• 2008, Neoclassical vs. Baroque: The Civic-Republican Festival as Aesthetic Battlefield, Chile 1810–1830, Proceedings of the IV International Baroque Symposium: The Festivity (La Paz, Bolivia)
• 2007, Pilgrim Goddess: The Allegory of the Republic and the Crisis of Manuel Montt’s Government in Chile, in The Pilgrim Republic (Carmen Mc-Evoy & Ana María Stuven, Eds.), Centro de Estudios Peruanos, Lima
• 2007, Municipal Theater of Santiago: 150 Years, edited by the Cultural Corporation of Santiago
• 2005, Patagonia Logbook, Explora S.A.
• 2005, Smiles of Memory. The Caricature in Chile: National Imaginary and Political Representation (1858–1891), PhD thesis, Pontifical Catholic University of Chile / Université Paris 1 Panthéon-Sorbonne
• 2004, Caricature and Painting: The Chilean Case, in Ridiculosa, Brest, 2005
• 2004, The Role of Monkeys: A Brief Chronicle of a Third of a Century of Caricature Press (1858–1891), in History of the Press in 19th Century Chile, Universidad de Los Andes
• 2004, The Battle of the Pencils: Caricature and Political Crisis in 19th Century Chile, Proceedings of the Second Art History Conference, Editorial Rial, Santiago
• 2003, Smiles of Memory: History of Caricature in Chile 1858–1910, Proceedings of the First Art History Conference, Editorial Rial, Santiago
• 1998, Basques in Chile 1680–1820, Editorial Los Andes, Santiago
• 1997, (with Isabel Cruz) Sorrowful Goddesses: Civic Allegories, Caricature, and Politics during the 19th Century, Revista Historia, No. 30, Pontifical Catholic University of Chile
• 1997, (with Isabel Cruz) The Caricature Borderline: Criticism and Creation in the Chilean Border Process 1789–1902, Bulletin of the Chilean Academy of History, No. 107
• 1995, Artistic Mestizaje in Mexican Religious Architecture in the 16th–18th Centuries, Undergraduate thesis for Licenciatura in History, Pontifical Catholic University of Chile

Proficient, Native (Castilian), Proficient, Basic

• Development professional with extensive experience in multilateral organizations, focusing on the promotion and implementation of projects in the creative industries across Latin America and the Caribbean.
• A leader in the creation of knowledge products in the field of creative industries.
• Expert in managing art collections and programs, with 25 years of experience in cultural management.
• Frequent speaker on public policy in the cultural sector.
• Holder of a Ph.D. in History from the Pontifical Catholic University of Chile and Université Paris 1, Panthéon-Sorbonne, France.
• Author of more than 20 publications (books and articles) on cultural history.

• 2021, Public Policy Analysis, London School of Economics
• 2019, Digital Transformation in Government: Innovating Public Policy & Service, Harvard University
• 2019, Cultural Policy and Design Thinking, British Council & Goldsmiths, University of London
• 2019, Running a Contemporary Gallery, Sotheby’s
• Fall 2010, Museum Practice, Georgetown University