Summary
Overview
Work History
Education
Skills
Accomplishments
Work Availability
Quote
Timeline
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Vincent Sneed

Baltimore,MD

Summary

Dedicated Prepress Technician with graphic arts background manipulating files for color correction and photo adjustment purposes. Highly proficient in various graphics design software packages. Pursuing challenging new role to leverage 30 years of experience.

Overview

29
29
years of professional experience

Work History

Prepress Technician

Printing Corporation Of America
Lutherville, MD
07.2019 - 07.2022
  • Imported electronic or print files using Adobe Acrobat and made color, digital image and text corrections.
  • Worked closely with 5-member team to maintain high standards of quality and encourage repeat business.

Prepress Technician

Eichhorn Printing
Cockeysville, MD
03.2018 - 01.2019

Prepress Technician

Uptown Press
Baltimore, MD
09.2014 - 04.2015

Prepress Operator

Miller's Minuteman Press
Owings Mills, MD
06.2014 - 09.2014

Journeyman Digital Technician

Doyle Printing & Offset
Hyattsville, MD
01.2009 - 02.2014
  • Established Doyle’s first venture in direct digital printing from scratch, learning from hands-on experience how to operate the Océ 665 digital press, the Konica-Minolta C7000 and C8000 Bizhub digital presses
  • Produced a wide variety of publications for AFSCME, American Health Lawyers, embassies, federal agencies, and more—from business cards to saddle-stitched and square-bound books
  • Won a Ben Franklin Award from PGAMA for Best Digital Product (a menu for Lito's Pizza, of all things)

Prepress Technician

Cenveo Baltimore
Baltimore, MD
05.2003 - 12.2008
  • Worked on publications for the Baltimore Orioles, Baltimore Ravens
  • Recreated, from a printed copy, The Films of John Wayne
  • Recreated, from film, The Girl Scout's Guide
  • Helped set up Cenveo's first direct-to-plate imaging system

Production Coordinator & Graphic Designer

Peregrine Entertainment
Springfield, VA
01.1997 - 12.2001
  • Produced over a dozen monthly and bi-monthly publications, coordinating between writers, artists and editors and the prepress staff at Quebecor Lebonfon
  • Created the “look” for the publisher’s line of publications, including logos, editorial pages and in-house advertisements
  • Worked directly with James O’Barr, creator of The Crow, on his final publication, James O’Barr’s Savages

Prepress Operator

French-Bray Printers, Inc.
Glen Burnie, MD
12.1992 - 03.2001
  • Supervised the publication of the first 4 years of the Baltimore Ravens GameDay Magazine (if you've seen or owned a framed copy of the first issue of the Baltimore Ravens GameDay magazine, you've seen my work)
  • Produced publications for the Baltimore Orioles, T. Rowe Price, Ryland Homes, as well other large Baltimore-based companies
  • Front-end operator for the Heidelberg GTO-DI, the first direct-to-press printing press

Education

Associate of Arts - Printing Technology

The Community College of Baltimore County
Catonsville, MD
03.1992

Skills

  • Adobe Illustrator
  • Adobe Photoshop
  • Adobe InDesign
  • Adobe Systems Adobe Creative Suite
  • Prepress and Printing
  • Book Design
  • Quality Control Standards
  • Critical Thinking
  • Project Requirements
  • Active Learning
  • Special Instructions
  • Color Correction

Accomplishments

    I was hired by French-Bray in 1992 by Carmen Strollo, head of the Liaison department. Liaison was created by Mr. Strollo as the link between the Customer Service Representatives and the Color Department, the technological hub of French-Bray's prepress. Mr. Strollo recognized in me a strong interest in the graphic arts and an intuitive grasp of the technology just then becoming inseparable from the printing industry.


    Talk about starting off on top! In 1992, French-Bray was the premiere printing company on the East Coast, counting the Baltimore Colts (and, later, the Baltimore Ravens), the Baltimore Orioles, T. Rowe Price, Ryland Home and other prestigious Maryland-based companies among its clients.


    I learned my trade at French-Bray and grew along with the company. I lead my department on several large jobs, took on a supervisory role during the introduction of Creo direct-to-plate technology, and worked the front end on the Heidelberg GTO-DI, the first direct-to-press printing press.


    In 2001, I was hired by Rainbow Lithography to oversee the introduction and installation of tat company's first direct-to-plate system.


    In 2009, I was hired by Doyle Printing & Offset to run their first digital printing press, the humble Oce 665, which I grew to take on the work of two small offset printing presses. When I left Doyle in 2013, I was running a pair of massive Konica-Minolta digital presses, outputting nearly finished work for customers like AFSCME (a DC-based teachers union), American Health Lawyers, embassies, federal agencies and more. My work for Doyle earned that company some Ben Franklin awards from PGAMA, including one for best digital product (a menu for Ledo's Pizza, of all things).


    Not too shabby for a kid from Dundalk who took an interest in printing because he wanted to make his own comic books.

Work Availability

monday
tuesday
wednesday
thursday
friday
saturday
sunday
morning
afternoon
evening
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Quote

“So It Goes”
― Kurt Vonnegut, Slaughterhouse-Five

Timeline

Prepress Technician

Printing Corporation Of America
07.2019 - 07.2022

Prepress Technician

Eichhorn Printing
03.2018 - 01.2019

Prepress Technician

Uptown Press
09.2014 - 04.2015

Prepress Operator

Miller's Minuteman Press
06.2014 - 09.2014

Journeyman Digital Technician

Doyle Printing & Offset
01.2009 - 02.2014

Prepress Technician

Cenveo Baltimore
05.2003 - 12.2008

Production Coordinator & Graphic Designer

Peregrine Entertainment
01.1997 - 12.2001

Prepress Operator

French-Bray Printers, Inc.
12.1992 - 03.2001

Associate of Arts - Printing Technology

The Community College of Baltimore County
Vincent Sneed